The Odyssey – The Long Road Home

52 Books in a Year – Week 3

Welcome back to my 2026 book challenge. 52 Books in a Year. Still sounds mental, still going.

Much like The Iliad, I am late on this one. Finished it earlier in the year, but enjoyed this one in particular due to the excitement of the news of Christopher Nolan's adaptation trailer that dropped. The Odyssey is one of those stories that attracts even the most creative of minds to explore.

After reading The Iliad, I expected more of the same. More war. More glory. More men chasing immortality through violence.

What I got instead… was something far more human.

The Odyssey is not about winning. It’s about getting home.

Not All Heroes Are Built the Same

If Achilles is the embodiment of rage, then Odysseus is something else entirely.

He is not the strongest man in the room. He is the most dangerous.

But he adapts.

Where Achilles charges forward, Odysseus waits. Thinks. Survives.

We see this immediately in one of the most famous moments in the text — the encounter with the Cyclops, Polyphemus. Odysseus doesn’t defeat him through strength. He gets him drunk. Blinds him. Then escapes by calling himself “Nobody” — so when the Cyclops cries out, no one comes to help.

It’s clever. It’s efficient.

But it’s also where we see his flaw.

Because as he sails away, he cannot help himself. He reveals his name. Claims victory. And in doing so, he invites Poseidon’s wrath upon himself and his men.

That moment defines him.

Odysseus is a man constantly caught between intelligence and ego. A fair battle that we all experience, some more than others.

A Story About Stories

One of the most fascinating aspects of The Odyssey is how it is told.

This isn’t a straight journey from A to B.

Odysseus himself becomes the storyteller.

When he arrives among the Phaeacians, it is he who recounts his adventures — the Lotus-Eaters, Circe, the Underworld, the Sirens. We are not just hearing what happened. We are hearing his version of what happened.

And that raises an interesting question.

Is Odysseus a hero… or just a very good narrator?

Because memory is selective. Storytelling is performance.

And in many ways, Odysseus is crafting his own legend as he speaks. And he was good at it!

The Monsters Are the Point

On the surface, The Odyssey is filled with iconic creatures and moments.

The Cyclops. The Sirens. Scylla and Charybdis. Circe. Calypso.

But none of them is just an obstacle.

They are tests. Myths and legends were born. Influencing fantasy even today.

Take the Sirens, for example. Odysseus orders his men to plug their ears with wax, while he has himself tied to the mast so he can hear their song. He wants knowledge, but knows he cannot trust himself with it.

“Bind me hand and foot in the swift ship… so I may hear the Sirens’ song.”

That moment says everything.

He is curious. Driven. But also aware of his own weakness.

Then there is Calypso — offering him immortality, an eternity free from struggle.

And he refuses.

Not because it isn’t tempting. But because it isn’t home.

Home Is Not What It Was

This is where The Odyssey hits differently.

The urge to return home. But to get there, it is no easy feat. There is no place like home. Another key note that most can relate to.

When Odysseus finally reaches Ithaca, he does not walk in as a king. He arrives disguised as a beggar. Watching. Assessing. Waiting. Even in his own home, he is cautious.

Because time has moved on without him.

Suitors have overrun his house. They feast on his wealth, disrespect his name, and attempt to claim Penelope as their own.

And Penelope… might be the strongest character in the entire story.

Penelope – The Quiet War

While Odysseus fights monsters and gods, Penelope fights something else entirely.

Time. Pressure. Expectation.

She holds off the suitors not with force, but with intelligence. Promising to choose a husband once she finishes weaving a shroud — only to unravel it each night..

In many ways, she mirrors Odysseus.

Both are surviving. Both are delaying. Both are playing a long game.

The Gods – Less Chaos, More Control

Compared to The Iliad, the gods here feel… different.

Less like unpredictable forces of chaos, and more like guiding hands shaping the path.

Athena stands firmly behind Odysseus — guiding, protecting.

Poseidon, on the other hand, is relentless. His anger following the blinding of his son defines the entire journey.

“He will come home late… in pain… having lost all his comrades.”

The gods don’t just intervene. They set the terms of the journey.

The Core of It All

At its heart, The Odyssey is about one thing.

Home.

But not the romantic version of it.

Not the idea of returning unchanged.

Because Odysseus does not come back the same man who left.

He has seen too much. Lost too much. Done too much.

Even his reunion with Penelope is not immediate. She tests him. Questions him. Needs proof.

And when he finally reveals himself, it is not through strength.

It is through knowledge.

The bed he built — rooted into the earth itself — something only he would know.

That detail says everything.

Home is not just a place, it is everything.

Final Verdict

★★★★★ (5/5)

Not because it is perfect. I don’t deny it is a tough read. It is timeless and has a contributing factor to the foundations of the genre I love, Fantasy.

Next Up: The Aeneid - The Iliad – Rage, Honour, and the Cost of Glory

Glen Kirby

G.V.C. Kirby is a London-based writer, producer, and director with over a decade of experience developing and delivering independent film and television projects. He began his career by founding West One Entertainment, building a slate of feature films and working across production, finance, and distribution within the UK and international markets .

Kirby’s work sits at the intersection of story and scale — combining grounded character-driven narratives with a strong interest in genre, particularly science fiction and fantasy. Whether producing, directing, or writing, his focus remains the same: to create stories that feel immersive, cinematic, and emotionally honest.

Alongside his work in film, Kirby is the founder of a fantasy fiction platform and magazine dedicated to publishing original short stories and supporting emerging writers. His broader creative vision extends into world-building, developing original IP that can live across film, literature, and digital platforms.

At the core of his work is a simple philosophy: stories are how we process the unknown. Film makes them visible. Writing makes them eternal.

https://www.gvckirby.com/
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The Iliad – Rage, Honour, and the Cost of Glory